Sean’s 2009 in Review: (Binary pop, Warp’s legacy, dub mutations and the return of sexy dance music)

2009 has been an incredibly innovative year in relation to music production. Artists like Animal Collective, Fever Ray, Royksopp and Moderat have proven once and for all that digital beats and electronic sound design can appeal to a pop audience that otherwise wouldn’t find themselves listening to “electronic music”.

This year also marks the 20 year anniversary of the greatest electronic music label (arguably greatest label) of all time, Warp Records, which has had an exceptional year across the board with strong indie releases from Grizzly Bear and Maximo Park as well as strong releases from their more obscure electronic artists like Tim Exile and Clark. Warp’s 20th anniversary box set is not only one of the best reviewed collections of the year, it’s also a brilliant testament to the label’s vast catalog of ground breaking artists (i.e. Aphex Twin, Boards of Canada, Jamie Lidell, Nightmares on Wax, Prefuse 73, Autechre, Broadcast, Plaid, Battles, Squarepusher, etc).

In addition, 2009 witnessed the rise of Dubstep as a respected genre in the US through acclaimed UK labels like Hyperdub (Burial, Kode9, Joker, Zomby, Flying Lotus) and Tectonic (2562, Martyn, DJ Pinch, Benga) both of whom continue to blur the boundaries between Grime, Dub, West Coast Hip Hop and Detroit Techno. With the avid support of tastemakers like Radio 1’s Mary Anne Hobbs and Low End Theory’s Daddy Kev (Alpha Pup Records) UK Dubstep and West Coast Glitch Hop / Hip Hop have both become quintessential styles on the electronic music frontline in the US. From Burning Man to this year’s Movement Festival in Detroit, Dubstep and Glitch Hop have fully emerged in 2009 as a staple sound in North America.

Another emerging trend has been the Deep House and Tech House revival, which has been experiencing a resurgence the past few years as club-goers have tired of the heady, sterility of Minimal Techno and the frenetic, over the top sound of Electro House. Artists like Gui Boratto, Voodeux, Pezzner, Milton Jackson, Stimming, Mode D, Catz n Dogz, DJ T and Dixon have all helped in keeping underground dance music both sexy and musical.

Overall 2009 has been a phenomenal year for technologically driven music, proving that creativity is truly catching up with the tools used for musical expression in the digital age.

Here are my Top 15 albums of the year

1. Animal Collective “Merriweather Post Pavilion” : Domino Records

2. Various “Warp 20” (Box Set) : Warp Records

3. Moderat (aka Apparat & Modeselektor) “S/T” : Bpitch Control Records

4. Fever Ray “S/T” : Rabid Records

5. Phil Kieran “Shh” : Cocoon Recordings

6. Nosaj Thing “Drift” : Alpha Pup Records

7. Jon Hopkins “Insides” : Domino Records

8. Various “5 : Five Years of Hyperdub” : Hyperdub Records

9. Lusine “A Certain Distance” : Ghostly International

10. Grizzly Bear “Veckatimest” : Warp Records

11. Gui Boratto “Take My Breath Away” : Kompakt Records

12. 2562 “Unbalance” : Tectonic Records

13. Modeselektor “Body Language Vol. 8” : Get Physical Music

14. Tim Hecker “An Imaginary Country” : Kranky Records

15. Voodeux “The Paranormal” : Mothership Records

Sean
Branded Music Specialist
PlayNetwork, Inc.

- CLOSE / Blog Home - Tags: Share:

Leave a Reply

Your email address will not be published. Required fields are marked *

Latest Comments:

  • Bravo Mr. Horton! Well stated and completely true.

    - sextronica